Tag Archives: Allegory

The Unplanter

The Unplanter

By Lydia Evelyn Thomas

(Copyright: Lydia Thomas 2016)

Once upon a time, there was woman who loved to plant seeds. Early each spring, she would rush to the market to carefully select the seeds she wanted to plant in the little garden behind her house. She especially loved looking at the pictures on the seed packets and imagining what her garden could be. Every year, after she had purchased them, she would hurry home to plant the different seeds in her garden, singing and skipping the entire way.

Like any good seed-planter, every year, she cleared the little plot of rocks and weeds and broke up the soil before painstakingly marking the rows where the seeds would go. Then she dropped the seeds into the dirt, one by one, and lovingly covered them with dirt.

In the days that followed, every year, she added fertilizer and water to the soil to make sure the seeds were getting the food and drink they needed. If it got too cold, she would cover the ground with blankets so the cold air couldn’t get to the seeds. And she always kept an eye out for weeds that might be trying to steal food and water from the seeds, or rocks that might be trying to keep the seeds from growing, or anything that might hurt the seeds.

She waited and waited, every year, for a week, at least, to see if anything would happen, and nothing ever did. She worried: were the seeds getting enough to eat and drink? Were the seeds getting too much to eat and drink? Were the seeds staying warm enough? Were they too warm? Was something hurting the seeds that she couldn’t see?

And so, every year, a few days after planting them, she dug up the seeds and returned them to the market.

“These seeds didn’t grow into anything,” she would say, spreading them out on the counter. “I’d like my money back, please.”

The man who sold her the seeds would frown, and every year, he told her this: “There is an old gardening term called staying.”

“What does that mean?”

“It means that things have to stay planted in order to grow.”

The woman didn’t believe him, and so she continued planting seeds and digging them up for many years.

One year, early in the spring, the woman came to the market, excited as she always was to choose seeds that would make a beautiful garden.

“I’d like to see your seeds, please.”

The man who sold her seeds shook his head. “I’m not going to sell you any seeds this year.”

“Why not?”

The man shrugged. “It’s wasteful. You plant them, only to dig them up again. They can’t be used ever again after that.”

“I won’t dig them up this year, I promise. Please let me buy some seeds.

The man shook his head. He didn’t believe her. “We sell some plants in pots that have already been grown, if you’d like to buy some of those, but I cannot sell you any more seeds.”

The woman bought some pots in plants at his suggestion, but this year, unlike all the other years, she was not happy walking home from the market. She didn’t want plants that had already been grown. She very badly wanted to grow something of her own, from a seed.

Still, she set the plants on her front porch, and made sure to take care of them, every bit as well as she had taken care of seeds when she’d had them. One day, as she watered the plants, a man strolled by.

“Beautiful plants,” he said. “Did you grow them yourself?”

The woman sighed. “No. I bought them already grown. The market won’t sell me seeds anymore.”

“Why not?”

“When seeds don’t grow, I dig them up.”

“How long do you wait before digging them up?”

The woman put her hands on her hips. “I’ve waited as long as a week before.”

“Only a week? That’s not long enough!” The man smiled. “Seeds have to stay planted in order to grow.”

“That’s what the man at the market told me,” the woman said, “but what if something is wrong with the seeds? How will I know if I can’t see them?”

“Do you give the seeds food and water?” the man asked.

“Yes.”

“Do you keep weeds and rocks away from the seeds?”

“Yes.”

“Do you protect the seeds when it might get too cold or too hot for them?”

“Yes!” the woman exclaimed. “I do everything I’m supposed to do.”

“Everything except for letting the seeds stay planted,” the man said. “That’s the most important part.”

“But”- the woman protested.

“Seeds grow,” the man said. “It’s what they do. They just have to stay planted. I wish you could see it.”

“I wish I could see it, too,” the woman said, “but where will I get seeds? The market won’t sell them to me anymore.”

“I might have just the thing.” The man pulled a seed packet out of his pocket and held it out to the woman.

The woman looked down at it and frowned. “It doesn’t show what it will

be.”

“It doesn’t,” the man said, “but it’s the only seed I have.”

“There’s only one seed?” the woman asked, eyes wide.

The man smiled. “Only one, but legend has it that when it’s grown, it gives more seeds.” The woman just stared at him. “Plant it. You’ll see.”

“I guess it never hurts to try,” the woman said, taking the seed packet.

“Just remember,” the man said. “It will only grow if it stays planted.”

The very next morning, the woman went back to her garden. As she always did, she pulled up the weeds, picked out the rocks, and broke up the ground. Then she thought about where to plant the one seed. Should she plant it on the edge? Near a corner? In the middle? In the middle, she decided, and dug a small hole. Pulling the seed packet out of her sweater, she took a deep breath, and crouched to the ground. She shook the little seed out into the hole. It was so small and dark, she could barely see it. Slowly, she covered it with dirt, before standing and brushing off her knees.

The next day, the woman went to her garden again.  As she had done with the other seeds, she gave them food and water, working it into the soil with her trowel around where she knew the seed was planted. That night, when the air became colder, she covered the garden with blankets.

And, day after day, she watched for something to show her the seed was growing. A week went by, and then a month, and still she could see nothing above the dirt. She grew restless, and began running her hands through the dirt near where the seed was planted. Remembering the man’s words when he had given her the seed – “It will grow if it stays planted” – she stood up, brushed off her knees, and went inside.

Months went by, and still the woman cared for the garden, waiting. One day, after the dead autumn leaves had fallen and blown away, as the woman spread mulch over the soil for the winter months, she saw a small green chute where she had planted the seed so long ago.

“Well, that will never last the winter,” she said, hands on her hips.

She thought about digging it up, but again, she remembered, “It will grow if it stays planted.

“I don’t see how,” she muttered, but she spread mulch around the chute, and left it where it was.

The air became so cold and the ground froze so that the woman could no longer work in her garden. In fact, snow began to fall and fall until it was too high for her to even leave her house. She was certain the chute would die in the cold, and it made her sad.

At last, the air grew warmer, the snow melted, and the ground thawed, the woman went out to visit her garden.

The green chute was gone!

In its place was the tiniest of saplings, barely a foot tall.

The woman clapped her hands and bounced up and down. She was growing a tree! A tree!

“I’m glad I listened to that man and didn’t dig up the seed.”

She was so delighted that she went to the market to buy more seeds now that she had learned the secret to growing them, but the man who sold seeds laughed at her.

“You’re the woman who digs up seeds,” he said.

“I’m not anymore,” the woman said. “Last year, a man gave me a seed.”

“Who would give you a seed?” the man who sold seeds asked.

“I don’t know,” the woman said. “He was just passing by, but he told me to keep it planted, and I did. Now it’s going to be a tree.”

Again, the man who sold seeds laughed. “I don’t believe you.”

“Come and see,” the woman said and led him home to her garden. She pointed to the tiny sapling at the center.

The man who sold seeds squinted at it. “That looks like nothing more than an overgrown weed.”

“It’s a tree,” the woman insisted. “I know it’s a tree.”

“You don’t have the patience for a tree,” the man who sold seeds said, turning and walking away.

“I do now,” the woman said. “Please, sell me some seeds. I’ll show you.”

“I will never sell you seeds again.”

The woman was very sad, because she loved to plant seeds, and now that she’d seen how they could grow, she wanted to see it again and again. How could she, though, if she couldn’t buy seeds?

Suddenly, she brightened. The man who  had given her the seed had said something about it making more seeds. A legend, he had said, so maybe it wasn’t true at all, but the idea gave the woman hope.

Throughout the spring and summer, the woman tended her garden as usual, watching the sapling for signs of seeds.  Then the air began to cool, and she prepared her garden for the winter. There were no seeds, but perhaps, like everything else, it just took time for them to come.

Years passed, and every year, the woman cared for her garden, and every year, the tree grew taller and wider around, until it far surpassed the woman’s height and width. It was majestic, with many branches, and green needles that never lost their color nor fell to the ground, no matter how cold the air became. Year after year, there were no seeds, and the woman began to think the legend surrounding the tree was just a story. Still, she was quite proud of her tree.

One year, small brown cones sprouted on the branches in the spring and fell to the ground in the crisp autumn air. The woman went through her garden plucking them up into a bucket, thinking they would decorate her house nicely, when she found a cone that had split open during its fall.

The woman knelt down to look closer at the split cone and gasped. Seeds of all shapes and sizes were spilling out of it! Seeds! The woman pulled a cone out of her bucket and pried it open. There were seeds inside of it, too!

“Those seeds aren’t good enough to use yet.”

The woman turned to see who was speaking to her. It was the man who had given her the seed.

“What do you mean?” she asked.

“The tree isn’t fully mature yet,” the man said, “so any seeds it produces aren’t ready to be planted. If you put those in the ground, they’ll just rot.”

The woman’s lip quivered. “How long will it be until they’re ready?”

The man gazed at the seeds, picking some of them and holding them in his hands. “I’d say, about … five years.”

“Five years?” the woman whispered, eyes wide.

The man nodded.

The woman pointed to the seeds. “So these aren’t good for anything?”

The man smiled. “Actually, they’re quite delicious roasted with butter and spices.”

“You want me to eat them?” the woman asked.

“You don’t have to,” the man said. “It’s just a thought.”

After that, the man went on his way, and the woman continued preparing her garden for winter.

Once inside, she roasted the seeds as the man had suggested. He was right: they were tasty prepared this way. As she ate them, the woman thought that five years wasn’t so long with such good food on her table and such a beautiful tree in her garden.

Even so, the next spring, the woman had a heavy heart as she went to clear the weeds and rocks and break up the soil in her garden. Where it had always been something she loved doing, now it was hard. She took many breaks, and thought often of leaving the work altogether. The only thing that kept her working was knowing that she needed to keep the ground ready for when the seeds were ready.

It wasn’t much, but it held the woman  until, at last, the spring of the fifth year came. With a thrill, she hurried out to her garden. This fall, the seeds in the cones would be ready, and next spring, she would plant them. Throughout the summer, she watched the cones eagerly. Finally, autumn came, and the cones began to fall, slowly at first, then all at once. Out the woman went to her garden with her bucket to gather them. She soon found that one bucket was not enough for all of the cones, and gathered bucket after bucket until not one cone was left on her garden floor.

As the snow fell that year, the woman went to work opening the cones, emptying the seeds onto her table, and sorting them into packets. She sorted and packaged so many seeds she thought she might need a bigger garden. She wondered what all of the seeds would grow up to be – would they all be trees? She would have to wait and see.

When she finished, leaving just a handful of seeds to roast, the woman stored the seeds in a warm, dry cupboard until spring. Then, as she swept up the remaining seeds from the table to put them in the roasting pan, one in particular caught her attention. It was small and dark, just like the one the man had given her to plant so many years ago.

Excited, the woman ran to get one more seed packet, thinking how lovely her garden would eventually be with two such trees. She paused: maybe someone else needed this seed, like she had all those years ago. And so, the woman decided not to plant it, but to set it aside and get it to someone who needed it, instead.

It seemed like no time at all passed until the woman was looking over her garden the following summer.  Now, instead of just the tree, flowers, plants, and small bushes populated the garden. There were blooms and bulbs and fruits and vegetables of all kinds forming almost everywhere. There were still some areas where there were no signs of anything growing, but the woman knew there would be someday.

“It’s a beautiful garden.”

The woman didn’t need to turn to know it was the man who had given her the seed.

She smiled as he came to stand at her side. “It took long enough for it to come together.”

“The strongest, most beautiful things need that time,” the man said.

The woman pulled a seed packet out of her pocket.

“What’s this?”

The woman pointed at the tree. “A seed. Thought you might come across someone who needs it.”

The man smiled. “Actually, I think you’ll come across someone who needs it.”

“When?”

The man winked. “Soon.”

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The Master’s House

Dear Cook,

How long has it been since you and the gardener and I came to work in the master’s house?  You have been given specific instructions regarding food and meals, he has been given specific instructions regarding horticulture, and I have been given specific instructions regarding the children. In spite of our different functions, we work in the same house, for the same family and there is a certain code of conduct required of us all: how we treat the family we work for, how we treat each other, and how we present the family when we leave the house. We each do our own parts and adhere to what is expected of us: you cook, he gardens, and I care for the children.

Of course there is the small problem of the butler.  He oversees the smooth running of the household, and while that may occasionally mean getting onto one of the staff if we are lagging behind, he has taken it upon himself more and more to micromanage us.  He insists on us doing every thing his way, even though many of the things he insists on us doing have not been specified by the master.  It seems our butler has forgotten that this is not his house, and he is not the master.

No, he is constantly in the kitchen, directing you which spices to put in your dishes, even though cooking is your function.  When he isn’t in the kitchen, he’s outside, rejecting the color of the flowers the gardener has just planted.  Or if he’s not pestering the two of you, he’s up in the nursery telling me the children should be spending more time on educational pursuits, not just coloring.

It’s sad, because if any one of us dares point out that the master has given us freedom in these areas, he thunders about how we are disrupting the household operations, that we have no respect for his position, and that we must be disloyal to the master.  And we wonder how it is that the butler who oversees the household operations can be so blind to the fact that we all have different functions, and necessarily so.

I guess it all goes back to the fact that this is not his house, and he is not the master. He is every bit the servant that each of us is, and yet he seems to think we cannot access the master and the master’s heart for our distinct areas of the house.  Except we can, and we did, when we were first hired.  The master laid out his expectations for us and our roles in his house, and if he thinks something needs to change, he is more than to come to us directly and speak to us. He may choose to relay something through the butler on occasion, but because the butler cannot always be trusted, we must always verify it is indeed the master speaking.

After all, this is the master’s house.  What he says, goes.

I don’t know about you, or Gardener, but as the nanny, I’m not going to worry about what the butler thinks about my activities with the children.  He is just another servant.  I am the nanny, and the children are my charge from the master. If the butler has any legitimate concerns about my jeopardizing the children’s well-being (and I assure you, he does not), he may take them up with the master.  The master is the only one who can take my charge away.

Until such time as that happens (which I don’t expect it will), I will go on reveling in what the master has given me to do. I advise you and Gardener to do the same. I am certain that is what delights the master more than obsessing over little details that have no bearing on household operations.

Yours Truly,

Nanny

“Who are you to judge another’s servant? To his own master he stands or falls. Indeed, he will be made to stand, for God is able to make him stand” (Romans 14:4 NKJV).

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I Struggle Promoting Myself

I struggle promoting myself.  A little over a month ago, I self-published my very first book: The Field.  Initially I talked about it quite a bit (for me, at least), but I’ve sort of stopped promoting it.  Like it’s not worth promoting or something.

Here’s the thing: we all know it’s not the best thing I’m ever going to write.  I have overstated that.

What I have not stated enough is that I believe in what I’ve written.  I believe in the themes of restoration, grace and spiritual warfare my book promotes.  I believe I have tackled these themes from a distinctly feminine point of view and have created strong female characters.  I believe that there is a need for this book that I have written, both for its themes and characters.  I believe that this book will speak to many people who read it.

Don’t forget to enter for your chance to win a copy of The Field here through June 30th, 2014 or purchase your copy today.

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Author Influences

A few weeks ago, a writing friend asked who my author influences are, and more specifically which authors most influenced writing The Field.  It made me realize I have been influenced by a lot of authors in my lifetime, not just as a reader, but as a writer as well.

My dad introduced me to authors like J. R. R. Tolkien, C. S. Lewis, Lloyd Alexander, George McDonald, Brian Jacques, and David and Karen Mains.  My mom introduced me to authors like Laura Ingalls Wilder, Louisa May Alcott, Frances Hodgson Burnett, Jane Austen, the Bronte sisters, and Charles Dickens.  My oldest sister introduced me to John Bunyan, Michael Bond (Paddington Bear), and Beverly Cleary (Ramona).  Somewhere in there J. K. Rowling and Phillip Pullman were also introduced, and I independently discovered Margaret and H. A. Rey, Peggy Parish, Sarah Dessen, Stephen King, (and I’m going to make a BIG jump here) Ayn Rand, Mary Shelley, Rainer Maria Rilke, Joyce Carol Oates and Doris Lessing.

Not to brag or anything, but I’m pretty well-read and broadly-influenced.  Whether I like it or not, who I read influences what and how I write.

I have always aspired to be like the authors my mom introduced me to.  In the tradition of Laura Ingalls Wilder, Louisa May Alcott, and Jane Austen, I’ve been writing stories about sisters from the get-go.  I love exploring the dynamic of sisterhood, and it’s something the aforementioned authors do really well.  I also love (love, love, love) Charles Dickens’ take on humanity and his stellar character development, and I’ve always desired to emulate that in my own work.

Much as I enjoy the authors my dad brought into my life, it has never been my goal to create new worlds in my writing.  And I certainly never intended to be a writer who used another world for the purpose of allegory or parallels to our own world.  And yet, The Field is an allegory that takes place in a different world.  Being honest, my writing going forward will be taking a similar vein.

Now, I still don’t have the subtlety of C. S. Lewis’ Chronicles of Narnia or the comprehensive nature of John Bunyan’s The Pilgrim’s Progress, and I wouldn’t want you to think that I do.  That’s the beauty of where I am as a writer, though, right?  I’m just starting out; I have a lifetime (however long that may be) to develop my craft through many different stories and books.

If I had to choose an author that most closely and clearly influenced The Field, it would be David and Karen Mains in their Tales of the Kingdom and Tales of the Resistance.  I hadn’t read these books in years until this week, hadn’t even thought of them until this question came up, but I correctly remembered them being deeply allegorical.  They are more marketed to children, where The Field is intended for a more mature audience, and the two have different characters and storylines, but I think the overall purpose and message are very similar.

Thing is, allegory is not everyone’s cup of tea, just as not everyone likes Dickens or poetry or science fiction.  I think that’s okay, but that’s also why I don’t intend to market The Field too terribly specifically, but rather to minds that can see parallels in the characters and conversations to real-life philosophies and occurrences.  For that reason, The Field will never be wildly popular, like Harry Potter, Narnia, or The Lord of the Rings.  Even if only a handful of people like it, it will have been well worth my while to write it.

I look at Tales of the Kingdom and Tales of the Resistance.  I’m betting most people who regularly read my blog have never even heard of them or if they have, they might only vaguely remember them.  Me, I remember them vividly from having read them many years ago.  They got under my skin and impacted me.  Along with a colorful edition of The Pilgrim’s Progress, these stories are what got me interested in allegory.  Ultimately, that interest is what prompted me to write The Field.  And this is about what I expect for The Field – niche interest.

Now don’t get me wrong, someday I hope to be an author who writes an allegory so compelling even people who hate allegory won’t be able to put it down, but as Aragorn says (in the movie), “This is not that day.”  I’m just starting to flex my fiction writing muscle: I expect it to strengthen, book by book.  I know that a few years down the road I’m going to have written bigger and better things than The Field, but I will always be glad I wrote it and had the courage to put it “out there” at all.

That’s how the authors I’ve read have influenced me! 🙂

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